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Tasarım ve Sergileme Arasındaki Diyaloğu Keşfetmek: İtalyan Kurumlarında Çağdaş Sanat Sergilerinin Mimari Entegrasyonu
(Abdullah Gül Üniversitesi, Fen Bilimleri Enstitüsü, 2024) Ünal, Cansu; Asıliskender, Burak
Museums are dynamic spaces where architecture and exhibition design interact in significant ways, influencing each other and contributing to a cohesive cultural experience. The relationship between contemporary art exhibitions and museum architecture is crucial in shaping the narrative and the display of art. By exploring the relationship between contemporary art exhibitions and the architecture of museum buildings, a comprehensive analysis is offered of how these elements engage in a dynamic dialogue. Through a detailed comparative analysis of four landmark institutions—Fondazione Prada in Milan, Strozzi Palace in Florence, MAXXI in Rome, and the Venice Biennale's Arsenale—the study investigates the transformative role of architectural innovation in redefining historical structures for contemporary cultural purposes. The research underscores the significance of adaptive reuse in the evolution of museum spaces, examining how the architectural characteristics and spatial configurations of each building influence curatorial strategies and display of art. Focusing on the interplay between museum architecture and the thematic content of art exhibitions, the study highlights how museums serve as active participants in cultural discourse. This research provides insights into the ways contemporary art exhibitions and museum buildings collaboratively construct a hierarchical narrative space, enhancing the aesthetic, cultural, and educational value of art.
Müze Mekanı için Yeni Biçim Arayışı: 1960-1980 Döneminde Türkiye Arkeoloji ve Müze Mimarlığı Politikası
(Abdullah Gül Üniversitesi, Fen Bilimleri Enstitüsü, 2022) Aslan, Hilal Kılıç; Tozoğlu, Ahmet Erdem
This study historically examines the formation and development of museums in Turkey, which are powerful cultural tools of modernity. Within the scope of the thesis, I scrutinize the evolution of museum architecture in Turkey under the influence of political ideologies and archaeological policies from the beginning of the twentieth century until 1980. As will be seen in the following sections, the political, cultural, economic, and social transformations experienced in this period were influential to the formation of museums in Turkey. The concept of museums began to change in Europe from the Enlightenment period onward and, became a central element for nation-states to create a modern and civilized identity in the nineteenth century. Likewise, the preliminary scientific archaeological studies in the late Ottoman period culminated in the Imperial Museum. After the proclamation of the Republic, the efforts to establish a modern museum in Turkey gained momentum along with many other nation-building policies. This thesis explores the establishment and development of museums in Turkey in the period between 1960 and 1980, focusing on the archaeological and cultural policies between political coups and their historical origins. I argue that the making of museums cannot be read independently of historicity, local identity, and role-play in the architectural medium. In this regard, this thesis spatially analyzes two museums in light of two major architectural themes of the period by synthesizing the examples in the architectural journals and state archives and examining these through many concepts found in the academic literature.

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